2010 Sundance Film Festival

Friday February 10, 2012 9:25 AM MST

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Kick in Iran
Fatima Geza Abdollahyan 2009
Categories: World Cinema Documentary Competition, First Feature, Political, Sports, World Premiere
Average Rating:
Rated 3.079718475132264/5 Stars
My Rating:
Run time: 82 min. | Germany | Language: Persian with English subtitles | color
Sarah Khoshjamal, a 20-year-old Taekwondo superstar, is the first female professional athlete from Iran to qualify for the Olympics. This skillful vérité portrait follows the unassuming Khoshjamal in the nine months leading up to the 2008 Beijing games. Living in an Islamic country, she is required to wear a hijab at all times and, unlike her fellow competitors around the world, cannot train with men; however, the power in her fighting resoundingly breaks down stereotypical barriers.

Khoshjamal’s experience as a world-class athlete may be familiar, but captured here is the importance of the coach-athlete relationship. The bond she shares with her feisty and much-admired female coach is revealed through everyday moments as both struggle through inequality to make their mark—in sport and society. Though it’s still the male athletes who are ultimately celebrated in her country, Khoshjamal’s accomplishments and lasting influence on scores of girls in Iran are undeniable.
Film Contact
Fatima Geza Abdollahyan
Phone: +49 (0) 177 8046969
Email: fati@fati.net
3 pictures Pictures
screenings
time event code venue calendar
12:00 PM     Tue, Jan 26
KICKI264D
Holiday Village Cinema IV + add to cal
6:00 PM     Wed, Jan 27
KICKI27YE
Yarrow Hotel Theatre + add to cal
7:30 PM     Thu, Jan 28
KICKI28BE
Broadway Centre Cinemas IV + add to cal
9:00 AM     Fri, Jan 29
KICKI294M
Holiday Village Cinema IV + add to cal
About the film
Cast & Crew
director
Fatima Geza Abdollahyan
 
screenwriter
Fatima Geza Abdollahyan
producer
Mohammad Farokhmanesh, Frank Geiger, Armin Hofmann
cinematographer
Jakobine Motz
editor
Katja Hahn
music
Saam Schlamminger
production manager
Arash Setoodeh
coproducers
Petra Felber/Bayerischer Rundfunk, Jutta Krug/Westdeutscher Rundfunk
Audience Buzz
Rated 3.079718475132264/5 Stars
3.1 | 15
views 3,633 people viewed this page
adds 195 people added it to their calendar (find out who)
reviews 7 people reviewed this film
Featured Review
Notice! The featured review is chosen at random and contributed by an audience member. Click the reviews tab above to read all the reviews for this film, or register to write your own review. Close
Rated 5.0/5 Stars
SLUGMag
12:29 AM
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*Reviewed with an Unfinished Version of Film* Abdollahyan’s documentary provides a glimpse into the restricted lives of women in Iran, but also details the unique personal and professional bond between the country’s first female Olympic athlete and her perfectionist coach. The cards are without a doubt stacked against Taekwondo student Sara Khoshjamal-Fekri and her Master as they train to compete in the 2008 Beijing games, but that’s before they’ve even left the borders of their own country. The simple act of gaining admittance into the Olympians’ official gymnasium proves difficult, but it’s no surprise to anyone, especially when the Preacher of the Friday prayer declares Sara’s upcoming voyage to be prostitution and the beginning of fornication. Nevertheless, the two remain diligent and never let the malicious opposition dissolve their aspirations for golden glory. Ironically, the film's strongest and most powerful moments don’t involve kicks or punches, but the brief yet intimate interviews wherein the sports figures’ express their realizations toward the country’s treatment of women. After visiting other regions they come to understand the harsh truth that the less educated women are, the easier it is for them to live in Iran. Complete with training montages and charming scenes depicting the girls’ exposure to outsider delights including Snickers and brownies, the film drastically loses its footing during the climatic finale in China and severs itself completely from its subjects by following the competition’s results. Abdollahyan’s decision to not include an exit interview still leaves me baffled. What starts off as an enticing plot ultimately tapers off ending abruptly and scattered leaving a shoddy and fragmented production in its wake. –Jimmy Martin http://www.slugmag.com/festival-coverage/595/Kick-in-Iran-Review.html
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